O MENINA

May 16

thebluthcompany:

brijam:

Don’t order the Skip’s Scramble. Source.

What have we always said is the most important thing? Breakfast.

Take a look at this wonderful recipe for the Skip’s Scramblethat my tumblr buddy Brian made. It includes “I just blue myself” berry waffles, “banana stand” pancakes, bangers in the mouth, model home fries, and many other delicious things. 

Now I know what I’m making to celebrate the return of Arrested Development. 

lulz-time:

This post has been featured on a 1000notes.com blog.
May 16

lulz-time:

This post has been featured on a 1000notes.com blog.

(Source: 8doobiestodaface, via badgifs)

May 16

“I do these Jack Nicholson eyebrows” (x)

(via dannyarchers)

nevver:

Shit happens
May 16

nevver:

Shit happens

maudelynn:

Rita Hayworth 
May 16

maudelynn:

Rita Hayworth 

(Source: destroyed-heartt, via homicidalbrunette)

thedoppelganger:

Magazine: POP Fall/Winter 2011Photographer: Sean & SengModel: Liya Kebede
May 16

thedoppelganger:

Magazine: POP Fall/Winter 2011
Photographer: Sean & Seng
Model: Liya Kebede

(Source: fuckyeahfamousblackgirls, via homicidalbrunette)

life:

Peter Max, 1967 — see more photos here. 
(Yale Joel—Time & Life Pictures/Getty Images)
May 16

life:

Peter Max, 1967 — see more photos here.

(Yale Joel—Time & Life Pictures/Getty Images)

superseventies:

Diana Ross at Studio 54
May 16

superseventies:

Diana Ross at Studio 54

(Source: pinterest.com)

nevver:

Shark week, Every week
May 16

nevver:

Shark week, Every week

bowielovesbeyonce:

That’s about right.
May 16

bowielovesbeyonce:

That’s about right.

May 15

subtilitas:

Oscar Niemeyer - Casa Das Canoas (architect’s own home),  Rio de Janeiro 1951. Via, 2.

May 15

(via badgifs)

May 15

climateadaptation:

From Michael Marten’s series, Sea Change, which explores rising sea levels from regular tides and also climate change. His statement:

‘Sea Change’ is a study of the tides round the coast of Britain. The views in each diptych are taken from identical positions at low tide and high tide, usually 6 or 18 hours apart.

I am interested in showing how landscape changes over time through natural processes and cycles. The camera that observes low and high tide side by side enables us to observe simultaneously two moments in time, two states of nature.

Recent landscape photography often focuses on human shaping (and reshaping) of the environment - urbanisation, globalisation, pollution. Even when critical and committed, this approach can emphasise, even glamorise, humankind’s power over nature. I’m interested in rediscovering nature’s own powers: the elemental forces and processes that underlie and shape the planet.

The tides are one of these great natural cycles. I hope these photographs will stimulate people’s awareness of natural change, of landscape as dynamic process rather than static image. Attending to earth’s rhythms can help us to reconnect with the fundamentals of our planet, which we ignore at our peril.

‘Sea Change’ also comments on climate change. The tide floods in and quickly recedes again, but rising sea levels will flood our shores and not recede for thousands or millions of years. Many of the views in these pictures may have disappeared in 100 years’ time.

— Michael Marten

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